Wednesday, March 06, 2013

A Super Bowl of Love -- Dornach 2013

Michael and the New Isis Mysteries -- Lifting the Veil

Nine days have passed since I returned from an absolutely incredible conference in Switzerland, lasting four and a half days from 8 AM till late at night (February 21-25); most of the events took place in the Schreinerei next to the main Goethanum building. This is where Rudolf Steiner and his friends continued their work on January 1, 1923, the day after the devastating fire that completely destroyed the first Goethanum.

Schreinerei Entrance

Some 40 or 50 people from all over the world participated, people from the US, Canada, Scotland, England, the Netherlands, Belgium, South Africa, Australia, Bulgaria, Romania, Russia and more. Lectures, eurythmy, song and dance, speech and drama, group work, late night chats in the dining room at the guesthouse nearby -- my camera wasn't working, but some of the others, notably Ara, Danica, Rozanne and Изис-София took plenty of photographs and made them publically available on Facebook, and Ara even made some videos!

And in Steinerland, up on that hill in Dornach, even the street signs are in anthro-fonts, like "Rudolf Steiner Weg" for instance. That was a real trip and treat. I'm still stoned, not from weed or any chemicals, but from the aftermath of the conference.

The Representative of Man

I want to thank Adriana and Rozanne for guiding us through the Representative of Man. It's on the sixth floor of the main building, kind of squeezed into a corner for safekeeping, which makes proper access somewhat awkward, but there are miniatures on display at the entrance that can be scrutinized more closely from all sides.

 I was especially fascinated by his mouth, and this is why:

In his wonderful and moving autobiographical account of his friendship with Steiner, Friedrich Rittelmeyer writes with regard to this sculpture:

' Without saying anything in detail about these observations, I asked Rudolf Steiner: "Is it really possible, simply by meditation upon the words of Christ, to come to the point of being able to say anything at all about His actual appearance?" "And what do you think He looked like?" came the quiet counter-question. When I began to say certain things, Rudolf Steiner took up my description and led it - I can only say - to clarity. It was the same picture which he afterwards gave in his lectures: A brow unlike that of a modern thinker, but one upon which reverence for the deep mysteries of existence was written; eyes that did not gaze upon men as though in observation but penetrated their very being in the fire of self-sacrifice; a mouth - "When I saw it for the first time I had this impression: this mouth has never taken food, but has been proclaiming divine truths from all eternity." In astonishment I asked: "Yes, but if you know what Christ was really like, is it not right to make this picture of Him in some way accessible to mankind?" "Yes, indeed," was his answer. "And that is why I have told an artist in Dornach to make a model of Christ according to my indications."

' At that moment I made up my mind that my next free time would be spent in Dornach in order to let this model of Christ work upon me from nearer at hand. I did not yet think of joining the Anthroposophical Society. Rudolf Steiner never gave me the least hint in this direction. He invariably gave me the unlimited freedom of a guest. But he knew, too, that I was not being held back by trivial motives. '
( -- Friedrich Rittelmeyer: Rudolf Steiner Enters My Life)

For me, this says it all, about the mouth: ".... this mouth has never taken food, but has been proclaiming divine truths from all eternity."

We did some talking about a related subject in the dining room late evening, Dottie and I, something from Knowledge of the Higher Worlds (GA 10) where one of the disciplines to be acquired is never to utter anything through speech (or writing for that matter) that hasn't been thoroughly purged in thought. And there's this very significant passage in Matthew, when the scribes and Pharisees criticize Jesus' disciples for not washing their hands before eating:

"Not that which goeth into the mouth defileth a man; but that which cometh out of the mouth, this defileth a man." ( -- Matthew 15:11)

Or take the sharp word from James, also in the New Testament:

"Behold , we put bits in the horses' mouths, that they may obey us; and we turn about their whole body. Behold also the ships, which though they be so great, and are driven of fierce winds, yet are they turned about with a very small helm, whithersoever the governor listeth. Even so the tongue is a little member, and boasteth great things. Behold, how great a matter a little fire kindleth! And the tongue is a fire, a world of iniquity: so is the tongue among our members, that it defileth the whole body, and setteth on fire the course of nature; and it is set on fire of hell. For every kind of beasts, and of birds, and of serpents, and of things in the sea, is tamed , and hath been tamed of mankind : But the tongue can no man tame ; it is an unruly evil, full of deadly poison. Therewith bless we God, even the Father; and therewith curse we men, which are made after the similitude of God. Out of the same mouth proceedeth blessing and cursing. My brethren, these things ought not so to be." ( -- James 3:3-10)

That's why I found it so amazing to see that mouth on the Representative of Man. And all those of us who have long and ample experience with the internet, discussions and arguments and flame wars and so on, know that "tongue" or "mouth" can be replaced with "keyboard" (or "fingers"?) in any of the above quotes, but I have to admit that it would be extremely comical to put a keyboard under the arm of the Representative of Man and say that... well, something like "This keyboard has never played video games or done any online banking or ordering of plane tickets, but proclaimed divine truths from eternity."

I even got to participate in a play -- The Being of Art!

The Destruction of the First Goetheanum

Frankly, I wasn't paying too much attention to Dornach 2013 as Dottie was trying to recruit me, and Adriana too, because I was tied up full time with absolutely no money or possibility to travel anywhere, and then Dottie emails me the two way ticket, an offer I couldn't refuse, and after that it's been gradually dawning on me that I've been pulled into the very heart of Anthroposophia -- The fact that the entire conference took place in the Schreinerei was mind-boggling, the very place where Rudolf Steiner carried on the day after the devastating fire. And that's another weird thing: I've been reading Steiner's works and everything about his life since the sixties when I was barely out of adolescence, a whooping fifty years ago, being thoroughly familiar with the burning of the first Goethanum and its effect on Steiner's health, leading to his premature death. But when this fire was mentioned by Peter Selg in his lecture on Unbornness and the Michael Community, I was hit by a painful sting in the chest, because we was in the very room where this pain and sorrow had been experienced, and it was experienced as an honorable gift that the spiritual beings would share their pain with me at that moment. Heavy. Rozanne says she felt it too during Selg's lecture, feeling that The Schreienerei still holds etheric memories.

Peter Selg lecturing

I was also deeply cognizant of having reached the chronological age -- I'll be 64 in a couple of months -- that Steiner had reached when he was at the very end of his physical journey, right there where we were. Plus the fact that 2013 marks the centennial of the Goetheanum itself, when the property was chosen and acquired. We talked about this, and the description I recalled was this one:

Stewart C. Easton tells us:

"After Steiner’s death his widow described how she and Rudolf Steiner visited the Grossheintz in their own home, and how delighted she had been with the area with its cherry trees and its vineyards in the bright autumn coloring, expecting the same enthusiasm from Steiner. But the morning after their arrival his mood was inexplicably gloomy, and for once this unaccustomed mood did not quickly disappear. As a rule he could change his moods almost in the twinkling of an eye, so controlled was his life of feeling. In time the mood gave place to one of pleasure and delight which he was able to share with Frl. von Sievers. But she always believed that he had experienced what in other people would have been a simple foreboding, but with him was a definite experience of what was to happen later on this very site when the irreplaceable first Goetheanum, on which so much love, labor, and treasure had been expended was burned to the ground in a single night. If Steiner had indeed known in advance the fate of the building which undoubtedly hastened his own premature end, one may legitimately ask the question, could he not have taken some action to forestall it?

"According to the laws of the spiritual world, as others as well as Steiner have explained them, no initiate may ever take any action in the personal realm, least of all an action from which he may draw profit, as the result of such a vision. Everything hitherto planned must be carried out exactly as if there had been no prevision. It can scarcely be doubted, as will be discussed later, that Rudolf Steiner foresaw the Great War, and even knew a long time in advance exactly when it would break out. Yet he and Marie von Sievers and a group of friends paid a visit to Bayreuth to see Parsifal just before the War, and only by remarkably good luck was the whole party able to return to Switzerland without trouble at the frontier. Steiner also must have known that a fifth Mystery Drama scheduled for 1914 would never be presented. Yet the theatre had been booked for it as soon as it was known that the building in Dornach could not possibly be ready in time.

"Frau Grossheintz in a memoir published some years later was to describe how to everyone’s surprise Rudolf Steiner stayed on in Dornach for some time after he had first seen the site and examined the entire area, including even the underground grottos to be found in the neighborhood of Arlesheim. Then he went to see the Grossheintz in Basel and asked them what they proposed to do with the land they had acquired. When they expressed some uncertainty Steiner began to talk about the possibility of a ”Bayreuth,” and told his hosts of the difficulties being experienced in Munich as a result of the attitude of the municipal authorities. Dr. Grossheintz then told him that no building regulations were in force at Dornach, and offered him the land if he wanted it. Thus when the Munich authorities finally gave the verdict against the building as it had been proposed, an alternative was available and it seems certain that Rudolf Steiner had already made his own decision and he knew that the Dornach hill would be the site chosen."
 ( -- Stewart C. Easton, Rudolf Steiner, Herald of a New Epoch, chapter 8)

The First Goetheanum

The Future of Anthroposophy

Another thought came to mind which I initially put forth a decade ago when launching the Yahoo group "Anthroposophy Tomorrow" (which is closed but is still on lit de parade for those who may wish to access the archives).

' "Do you really think that Anthroposophy will succeed in becoming more than a strong impulse in our civilisation? Do you think it can really strike through as new culture?" - He became amazingly serious. "If humanity does not accept what is now being offered, it will have to wait for another hundred years," he said. He seemed to be deeply moved. It was not merely emotion, but something like the thunder of the Judgment. He said no more. Never before or since have I seen how the soul of a whole age can tremble in one man. ' ( -- Friedrich Rittelmeyer: Rudolf Steiner Enters my Life)

This conversation was taking place in Dornach in 1915. And the case may indeed be that anthroposophy will enter mainstream culture during the course of the next decade or so. I would like to add a word of caution here though, because I sense a certain caveat attached to it: If anthroposophy becomes a popular movement, it may easily dissolve into a watered-down, feel-good sort of thing. The paradox is that although the above conversation indicates that anthroposophy is destined to go mainstream, Rudolf Steiner once said -- it's stuck like glue in my memory but I can't seem to find the reference -- that anthroposophy can never be a popular movement because it rests upon the profound recognition that all existence arises out of pain and suffering. And we all know that's not what humanity wants to hear. Instead, they listen with great enthusiasm to those who make them feel good, whether they be preachers or politicians, movie stars or industrialists or other types of role models or authorities.

It may indeed be so that we've been given the overwhelming task in the very near future, of vouchsafing, preserving, the pristine genuineness and authenticity of anthroposophically oriented spiritual science as it begins to blend into popular feel-good culture and all the inner laziness and complacency that this entails.

 Here's almost everybody -- about 45 of us or something.

Bradford and the Arthurian Connection

Bradford and Dottie keep making me blush with their loving remarks on Facebook, making me glad I'm not on webcam. I've known Bradford for 10 years online, Dottie for 13 years, and Bobby for 15 years. And Bradford wrote this deeply touching and elegantly poetic piece about me and him going back to the Arthurian days, linking me to the Welsh and the Celts and what have you.

Bradford (the big guy) and Yours Truly 
(with scarf and hat) in the Schreinerei

And I have to take a few steps back with regard to Bradford's magnificent poetic imagination. Point taken, however, he may indeed be on to something with regard to the Celts and the Welsh and all. Thirty-five years ago in Phoenix, after an excursion into the desert at night where we'd been looking at the stars, there was this lady, an experienced past life regressionist. And the session she did with me was abrogated, interrupted in mid-session, which I think was a good thing, because I've always been apprehensive and wary with regard to such things; I'd rather do my own hard-earned spiritual work than participate in that kind of astro-psycho-therapy. There's always a strong possibility of a materialistic-psychic approach to the spiritual blending with luciferic illusions imho, but it got so far that I saw a moat around a castle from the air -- right here we should pause, and right here the session was fortunately discontinued. Such imagery is far too physical and could come from anywhere and blend with expectations. But I do know for certain that my acquaintance this time around with the Mystery of Golgotha was a recognition and not a first encounter, which means as a matter of consequence that I probably had a former physical existence in Europe during the early or high Middle Ages.

Me and Bradford talking at lunch in the guesthouse dining room

The idea of the British Isles is just a vague hunch that should not be overestimated, but it's intriguing nevertheless. From a historical perspective, there were no castles and such on those islands before the Norman invasion in 1066, but if I should be placed in that area in the high Middle Ages (when the Arthurian legend was actually written down in Old or Middle French), I accept the hypothesis while keeping iun mind that it's ONLY a hypothesis. But having appeared in the physical some, say, eight centuries ago give or take, would be in line with the Platonic Year and the principle of each individuality incarnating twice during the course of 1/12 of this, once as a male and once as a female, during a sub-epoch of 2160 years (the time the sun rises in a given constellation of the Zodiac seen from the Northern hemisphere at the vernal equinox, a duration also equivalent to one cultural epoch). In other words, we incarnate once per millennium on the average, spending far, far, more time in the spiritual world, a principle that distinguishes anthroposophy from other New Age movements, where people are often thought of jumping in and out of physical bodies.

Speech and Drama with Christine Burke from Santa Barbara

Back with Good Ol' Ahri

Being back with my stationary computer at home, you all know what happens then: Interacting again through them ahrimanic elementals & getting full of mischief in the process. When I saw there was an internet access area in the Goethanum, I said to Dottie and afterwards also to Bradford that we ought to go in there and send a joint greeting to the Hole, also called (by Yours Truly) the Abominable Abyss, the Unthinkable Facility, the Unplumbable Toilet and so forth -- something we cleaned up later on by calling it Sugarland and its residents, The Sugar Cherubs, because what we really want to do is shower them with love.

Das Goetheanum

We didn't do any such thing, of course; it was too wonderful -- for me anyway -- to be totally off the grid for a week with none of Ahri's gadgets like TV and radio and internet, but those of you who perhaps don't know what I'm talking about should be informed that the Sugar Cherubs are the Waldorf Critics. As for details, check out my blog article (at this site) from September 2010, titled The Abominable Abyss / The Unthinkable Facility. (Those who google shall find as the Holy Book of Taz saith; I shouldn't link this up directly coz it's got nasty images in it -- a "Dottie don't look" kind of thing.)

And talking about Ahri, when they built the Goethanum, Rudolf Steiner arranged for a special home for him. This is Ahri's Dornach pad, with all kinds of clutter in the windows!

Parsifal's Cave and Eurythmy

On the first day (Thursday February 21) we made an excursion to Parsifal's Cave, a place of initiation of great significance to the spiritual history of Europe -- right here in the very center of Europe!

At Parsifal's Cave

When we did the eurythmy with Rozanne Hartmann and Patries Orange, I had this aha-moment when we were moving the arm of the person next to us and vice versa. It gave me a living experience of how we are actually put together in the etheric -- collectively and individually.

A little Shakespeare: King Lear

I've always been a Shakespeare buff, and I remember talking to Mary Stewart Adams after she'd lectured about the Ptolemaic-Copernican paradigm shift in the 15th, 16th, and 17th centuries centuries that it's a very good idea to take a close look at King Lear -- especially, in this case, Act I, Scene II (in The Earl of Gloucester's castle). The play was written between 1603 and 1606 and later revised, i.e. relatively late in Shakespeare's life; it's where one should look for the deeper underlying wisdom and observations often between the lines, in the subtext as it were, perhaps most of all in his very last play from 1610, The Tempest.

Back in 1974, I had the great pleasure of playing Edmund, the scheming and villainous and lustful bastard son of Gloucester, in London,in his original magnificent Elizabethan English, and his introductory monologue is still stuck like glue in my memory:

Thou, nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me,
For that I am some twelve or fourteen moon-shines
Lag of a brother? Why bastard? wherefore base?
When my dimensions are as well compact,
My mind as generous, and my shape as true,
As honest madam's issue? Why brand they us
With base? with baseness? bastardy? base, base?
Who, in the lusty stealth of nature, take
More composition and fierce quality
Than doth, within a dull, stale, tired bed,
Go to the creating a whole tribe of fops,
Got 'tween asleep and wake? Well, then,
Legitimate Edgar, I must have your land:
Our father's love is to the bastard Edmund
As to the legitimate: fine word,--legitimate!
Well, my legitimate, if this letter speed,
And my invention thrive, Edmund the base
Shall top the legitimate. I grow; I prosper:
Now, gods, stand up for bastards!

Edmund, Gloucester's bastard son, is scheming for power and wealth, and as an important part of his strategy, he seeks to deprive his half brother Edmund, Gloucester's legitimate son, of his inheritance by fooling their father ino thinking that Edgar is making such a plot against him, through a forged letter from Edgar. ("Well, my legitimate, if this letter speed, And my invention thrive, Edmund the base Shall top the legitimate.")

The Earl of Gloucester is extremely gullible, and in fact so spiritually blind that he gets his eyes torn out by the Duke of Cornwall and his wife Regan, one of King Lear's wicked daughters who along with her sister Goneril are both having affairs with Edmund -- no wonder I loved that part! Anyway, here's the bit about the old relationship to the stars being replaced by the new: Gloucester's reaction to Edmund's forged letter from Edgar goes as follows:

These late eclipses in the sun and moon portend
no good to us: though the wisdom of nature can
reason it thus and thus, yet nature finds itself
scourged by the sequent effects: love cools,
friendship falls off, brothers divide: in
cities, mutinies; in countries, discord; in
palaces, treason; and the bond cracked 'twixt son
and father. This villain of mine comes under the
prediction; there's son against father: the king
falls from bias of nature; there's father against
child. We have seen the best of our time:
machinations, hollowness, treachery, and all
ruinous disorders, follow us disquietly to our

When left alone, Edmund characteristically mocks his father's superstition as expressed in "These late eclipses in the sun and moon portend no good to us" in the following monologue:

This is the excellent foppery of the world, that,
when we are sick in fortune,--often the surfeit
of our own behavior,--we make guilty of our
disasters the sun, the moon, and the stars: as
if we were villains by necessity; fools by
heavenly compulsion; knaves, thieves, and
treachers, by spherical predominance; drunkards,
liars, and adulterers, by an enforced obedience of
planetary influence; and all that we are evil in,
by a divine thrusting on: an admirable evasion
of whoremaster man, to lay his goatish
disposition to the charge of a star! My
father compounded with my mother under the
dragon's tail; and my nativity was under Ursa
major; so that it follows, I am rough and
lecherous. Tut, I should have been that I am,
had the maidenliest star in the firmament
twinkled on my bastardizing.

Here is a link to that scene.

We also had a fantastic clown, hilarious! -- Dawn!

This is extremely interesting, because as you can see, this is also a liberation from perceived iron law necessity as dictated by the heavens; it's a release of free will, which in the case of Edmund and his ilk is being abused for egoistic purposes, hand in hand with ahrimanic arrogant mockery of the old spirituality that has retrograded into superstition. And what poetry! I have to take a few steps back when I see the claim made by very many historians, perhaps most of them, that Shakespeare was a Catholic, which of course had to be hidden in his writings because of the political power struggles at that time, but to my way of thinking, Shakespeare seems to stand way above the entire Reformation division. Rudolf Steiner also addressed some of the nonsense that's still with us today, even in anthro-circles, that his plays were written by Francis Bacon, who according to RS was the reincarnated Haroun al Raschid and belongs therefore to the so-called Arabic stream (along with Charles Darwin and many others), -- or by Christopher Marlowe (who died in 1593). I don't care who was a Rosicrucian and who was a Freemason and so on in those days -- those are only affiliations that say very little about the individuals themselves and what they brought forth.

Two incredibly sweet souls from Bulgaria

Incidentally, I may have mentioned this in the past to some of you on the internet, but I should repeat it here anyway while we're on this subject of Shakespeare, because it may explain some of my shenanigans and mischievous trollings and things I used to do in the forums, especially with the critics (Sugar Cherubs) but also with the Adorable Darlings (a euphemism for the Anthro-Wackos, you know, very nutty anthros), and it may have a certain relevance to something Steiner said about Napoleon -- and I'm sorry, Marisa, for forgetting to do that Napoleon pose at the Zurich Airport I had promised to do --

Vlad, Bradford, Dorina, and Yours Truly

About Napoleon, Steiner said people get it wrong when they think he became such a militant general and emperor because his mom had walked across battlefields when he was an embryo in her belly, -- and Steiner claimed it was the other way around, namely that the unborn Napoleon Bonaparte DROVE his mom through these battlefields.

You see, I grew up in the theater, both of my parents being stage actors and my dad manager twice, and when I was an embryo, she played Puck in A Midsummer Night's Dream -- a part that can easily be played by a male or a female. And my mom sometimes said that's the reason I'm so trollish and such. But all of this makes me speculate, of course, whether I, as the yet unborn but already attached to the physical, managed to influence the director to cast my mom in that role?

Mom (Julia Natalie Bock) as Puck in 1948, 
with the Yours Truly the Embryo in her belly

And there's something else weird about my late mom (who passed away in 1997) -- you see, she was born in New York in 1922, to Scandinavian parents (Danish dad, Norwegian mom, both naturalized US citizens), and during her childhood and youth she kept crossing the Atlantic back and forth (by ship in those days) to stay with her maternal grandma in Oslo, who was such a wicked piece of work -- she passed away in 1945, years before I was born -- well, she was my great grandma, and in Norwegian fairy tales, the Devil lives with his great grandma, so there's always this repeated reference to the Devil and his Great Grandma -- but the reason my mom put up with her was she wanted to live in Norway and be a Norwegian.

Now I've often wondered if my mom was one of those spirits seeking incarnation that Rudolf Steiner actually saw -- You see, in one of his lectures, and especially if this one was in the early twenties it may make sense -- he talked about observing human spirits seeking incarnation on earth, and he said, and this is exact from memory, they'll be in America one second and in Europe in the next, and another weird thing is I've never quite figured out my own ambivalence here with regard to my strange karmic connection with America that's played out in my own life in a rather chaotic fashion.

Ara, Bradford, Vlad, the Friesland dude(?), and Bobby

Pay special attention to everything the Fool says in King Lear. He's the closest, I think, to Shakespeare's own voice and comments.Mark therefore the following, keeping this suggestion in mind. It's not as simple as it seems at first glance; the confusion of seven and eight planets (or stars) belongs, to the best of my recollection, to a certain highly advanced stage of initiation; which means that Shakespeare's own seership is very cleverly disguised in his texts.

KING LEAR: I will forget my nature. So kind a father! Be my horses ready?
Fool: Thy asses are gone about 'em. The reason why the seven stars are no more than seven is a pretty reason.
KING LEAR: Because they are not eight?
Fool: Yes, indeed: thou wouldst make a good fool.
( -- King Lear, Act I Scene V)

Dottie Zold and Michaela Glöckler

The Foundation Stone, the Seed, and the Arts (Drama)

To get back to our unforgettable Dornach conference, our very Super Bowl of Love: We had some very gifted lecturers, first on Thursday (Feb 21) when we listened to a guest lecture by Peter Selg -- I call it that because he came and went -- and during the days that followed, we had several lectures by Adriana Koulias from Sydney, who actually taught spiritual science along with a very neat use of the blackboard, with colors and all, very Steiner-like, and that was sooooo cool.

 Adriana's Blackboard

We also heard a couple of lectures by Mary Stewart Adams from Michigan -- where are the photos of her? -- who spoke about astrology, astronomy, astrosophy and the Ptolemaic-Copernican paradigm shift, and helped me understand what The New Isis is all about. And if I've got it right, it goes like this: When the Ptolemaic, geocentric astronomy was replaced by the Copernican-Galileian heliocentric system, the connection between European humanity and the gods was broken, which means that Isis was cut into pieces and scattered all over the Cosmos. It's the task of Anthroposophia, being guided by Michael, the Time Spirit since 1879, to put Isis back together again and thereby restore communion between humanity and divinity. That's the New Isis.

Selg's lecture contained a lot of pain, not only through the brief mention of the fire towards the end, but the deep and bitter split inside the Anthroposophical Society that followed Rudolf Steiner's departure, involving strong hostilities between the camps. So I felt that his lecture ended on an interesting note before he headed for the door immediately afterwards, at least what my own inner ear is concerned, namely: Is the glass half full or half empty? And Rudolf Steiner himself was always the optimist, even in the face of extremely harsh opposition and challenges and misfortune towards the end, even reaching the point where he wanted to dissolve the entire Society because there was sectarianism, sectarianism, everywhere around him.

Rozanne and Adrinana

This group, however, has also been going through the Foundation Stone Meditation (in addition to acting out the play, The Being of the Arts), and we all took a seed home with us. What this means for me is that I've discovered where I've always really belonged. In other words, I have committed myself, dedicated myself to the Movement in a way that has been truly life-changing, and I'll rejoin the Anthroopsophical Society, i.e renew my old membership that expired over two decades ago.

Into the Schreinerei

I was a member for a few years in the late eighties when living in Houston and participating in a study group there (the PoF), but then there was a lot of moving and turmoil in my life during the years that followed so I didn't maintain the membership; it expired. But this experience in Dornach has made me realize in a most profound way that I have always belonged there -- thanks to Dottie Zold in the City of the Angels (L.A.)!

Dottie, I'm telling you, is a soul full of sunshine. The fact that she pulled this thing off -- my jaw was gradually dropping to my chest day by day as I realized that all those active people, including eurythmists and lecturers and the young guys leading us in song and so on, well, they all knew Dottie and they were there because they knew her, or at least most of them were; that was my impression and understanding. Now I realize that when Dottie said that "we" did it, she meant the planning committee, and here they all are:

Our program in Dornach February 21-25, 2013:

Michael and the New Isis Mysteries ~ Lifting the Veil


Thursday February 21, 2013

9:00am Good Morning! Singing with Caleb Buchbinder
9:30am Eurythmy with Rozanne Hartmann
10:00am Welcome by Christine Burke
10:45 am BREAK
11:15 am Journey to Parsifal's Cave
1:15 pm LUNCH
3:15 pm Introduction of the Presenters and Friends!
4:15 pm Journey to the Representative of Man with Adriana Koulias
5:30 pm DINNER
7:15 pm Welcome Caleb Buchbinder
7:30pm Dr. Peter Selg ~ Unborness and the Michael Community
9:15pm Eurythmy Offering with Patries Orange
9:30pm Foundation Stone Meditation with Christine Burke

Friday February 22, 2013

9:00 am Good Morning! Singing with Caleb Buchhinder
9:20 am Considerations on Ita Wegman & the Michael Community 10:00 am Eurythmy with Rozanne Hartmann
10:30 am BREAK
11:00 am Artistic Collaboration In the Round
Sculpture ~ Kilian Voss
Eurythmy ~ Patries Orange
Speech ~ Christine Burke
Seeing ~ Adriana Koulias
12:30 LUNCH
2:00 pm Mercury and the Laying of the Foundation Stone ~
Our Celestial Signature with Mary Stewart Adams
2:45 BREAK
3:00 pm The Foundation Stone Meditation ~ Healing the Word
4:15 pm Eurythmy and Transubstantiation with Patries Orange
5:00 pm DINNER
7:00 pm Michael and the New Isis Mysteries with Adriana Koulias
8:30 pm BREAK
8:45 pm Spoken Word with Bradford Riley and the Yippies
9:15 pm Eurythmy with Patries Orange
9:30 pm The Foundation Stone Meditation with Christine Burke

Saturday February 23, 2013

9:00 am Good Morning Singing with Caleb Buchbinder
9:30 am An Open Conversation ~ reimagining our relationship with the Society led by Caleb Buchbinder and Christine Burke
10:30 am BREAK
11:15 am
Artistic Collaboration in the Round
Sculpture ~ Kilian Voss
Eurythmy ~ Patries Orange
Art ~ Brigitta Gallaher
Speech ~ Christine Burke
Seeing ~ Adriana Koulias
1:15 pm LUNCH
3:15 pm Eurythmy with Rozanne Hartmann
3:30 pm Michael and the New Isis Mystery II with Adriana Koulias
5:00 pm DINNER
7:00 pm Welcome Dr. Michaela Glöckler
7:45 pm Calendar of the Soul ~ Mary Stewart Adams
8:30 pm The Being of Art ~ A Play
9:30 pm Foundation Stone Meditation ~ Christine Burke
9:45 pm Eurythmy Patries Orange

Sunday February 24, 2013

9:00 am Good Morning Singing ~ Caleb Buchbinder
9:30 am Artistic Collaboration in the Round ~
11:00 am Foundation Stone Meditation Together
11:30 am Mandala
12:15 pm LUNCH
1:15 pm Journey to Representative of Man with Adriana Koulias
2:00 pm Michael and the New Community A Conversation Led by Adriana Koulias & Dottie Zold
3:00 pm Plenum led by Caleb Buchbinder and Christine Burke
4:30 pm Michael Community Dinner in the Round

Monday February 25 2013

9:00 am Journey to the lta Wegman Clinic
Working out of the Fundamental Social Law shared forth by Rudolf Steiner and embodied in the work of lta Wegman and her endeavors towards creating 'islands' of health sanctuaries in the world. What more can we do to be a benefit to the tasks of Christ Michael Sophia for man?

Die Schreinerei (built in 1913)

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